Kendrick Lamar’s ‘GNX’ Debuts at No. 1 on Billboard 200
Kendrick Lamar’s surprise album GNX debuts at No. 1 on the Billboard 200 chart (dated Dec. 7), marking his fifth chart-topper, all earned consecutively. It launches with 319,000 equivalent album units earned in the U.S. in the week ending Nov. 28, according to Luminate — the year’s sixth-largest debut frame. The set’s opening week was largely driven by streaming activity, and the 12-song effort launches with 2024’s third-biggest streaming week for any album. GNX arrived with no warning on Nov. 22 around noon ET.
Also in the top 10 of the latest Billboard 200, the Wicked film soundtrack enters at No. 2, notching the highest debut for a big-screen adaptation of a stage musical ever. The new Wicked film, starring Cynthia Erivo and Ariana Grande, is based on the long-running stage musical of the same name, which has played on Broadway in New York since 2003.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 7, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Dec. 3). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of GNX’s 319,000 first-week equivalent album units, SEA units comprise 285,000 (equaling 379.72 million on-demand official streams of the set’s 12 songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 32,000 (it was only available as a widely available standard digital download, in both a clean and explicit edition; it debuts at No. 2 on Top Album Sales), and TEA units comprise 2,000.
GNX scores 2024’s sixth-largest opening week, by equivalent album units, among all albums. Further, with 379.72 million on-demand official streams generated by its songs, the album yields the year’s biggest streaming week for any R&B/hip-hop album. Further, among all albums, it logs the year’s second-biggest debut streaming week, and the year’s third-largest streaming week overall. (The year’s two bigger streaming weeks were the first and second weeks of Taylor Swift’s The Tortured Poets Department, with 891.37 and 428.54 million, respectively.)
Lamar previously led the Billboard 200 with Mr. Morale & the Big Steppers (2022), DAMN. (2017), Untitled Unmastered (2016) and To Pimp a Butterfly (2015). Earlier in 2024, he nabbed a pair of No. 1s on the Billboard Hot 100 songs chart with his solo cut “Not Like Us” (in May), shortly after he led the list with the co-billed collaboration “Like That” (in April) with Future and Metro Boomin. Neither song is included on GNX.
GNX precedes Lamar headlining turn at the upcoming Super Bowl halftime show on Feb. 9, 2025, in New Orleans. He was announced as the star act of the festivities on Sept. 8. It will mark his second appearance at the halftime show, following the all-star 2022 hip-hop showcase with Dr. Dre at the helm.
The Wicked film soundtrack takes a bow at No. 2 on the Billboard 200, the highest debut ever by a big-screen adaptation of a stage musical.
The last time a stage-to-screen musical soundtrack debuted in the top five was when Chicago danced in at No. 4 — over 21 years ago, on the Feb. 1, 2003 chart — on its way to a No. 2 peak a week later. Setting aside debut ranks, the last stage-to-screen movie musical soundtrack to reach the top two was Les Miserables, which spent a week at No. 1 on the Jan. 19, 2013-dated chart. (It debuted at No. 33, and then moved to No. 2 and No. 1 in its second and third weeks.)
Among all soundtracks in 2024, Wicked is the second soundtrack to reach the top 10 for the first time this year, and the highest charting, following Twisters (No. 7 peak) in August.
Wicked launches with 139,000 equivalent album units earned in the week ending Nov. 28 — the biggest week for a full-length theatrical film soundtrack since Lady Gaga and Bradley Cooper’s A Star Is Born earned 143,000 units in its second week (Oct. 17, 2018, chart; down from its 162,000 bow). Wicked also logs the biggest week for any stage-to-screen musical soundtrack since the Billboard 200 began ranking titles by equivalent album units in December 2014.
Of Wicked’s opening-week sum, album sales comprise 85,000 (it’s No. 1 on Top Album Sales, SEA units comprise 52,000 (equaling 67.66 million on-demand official streams of the album’s tracks; it’s No. 4 on Top Streaming Albums) and TEA units comprise 2,000. With 67.66 million streams generated by its songs, Wicked has 2024’s biggest streaming week for any soundtrack, and the largest streaming week ever for a stage-to-screen musical film soundtrack.
Wicked’s first-week album sales score the largest sales week for a full-length theatrical film soundtrack since A Star Is Born’s second week (86,000). Wicked has the largest debut sales week for a stage-to-screen musical film since Dreamgirls opened with 92,000 (Dec. 23, 2006 chart). The last time a stage-to-screen musical film soundtrack sold more than Wicked this past week was when Les Miserables reached No. 1 on the Billboard 200 with 93,000 in its third chart week (Jan. 19, 2013, chart).
Wicked’s opening week sales were bolstered by its availability across six vinyl variants (including a signed edition, autographed by Erivo and Grande), four CD variants (including a signed edition) and a standard digital download album.
Sabrina Carpenter‘s chart-topping Short n’ Sweet rises 5-3 on the Billboard 200 (69,000 equivalent album units; down 4%); Tyler, The Creator’s former No. 1 CHROMAKOPIA falls 3-4 (61,000; down 24%) and Billie Eilish’s Hit Me Hard and Soft rounds out the top five, rising 9-5 with 50,000 (up 2%).
Gracie Abrams’ The Secret of Us steps 8-6 (48,000 equivalent album units; down 5%); Rauw Alejandro’s Cosa Nuestra falls 6-7 (44,000; down 35% in its second week); Swift’s former leader The Tortured Poets Department climbs 11-8 (43,000; up 1%); Morgan Wallen’s chart-topping One Thing at a Time ascends 12-9 (42,000; up 2%); and Chappell Roan’s The Rise and Fall of a Midwest Princess is a non-mover at No. 10 (42,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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